Award-winning Maskandi musician Mthandeni SK Manqele has caused a stir with recent comments that have polarized his fanbase and sparked a heated debate on social media. Known for his hit song Paris and his strong presence in the music scene, the eMdletsheni-born artist made bold statements that appear to dismiss the contributions of those born in the 1970s and 1980s, while offering praise to the 2000s generation, or β2Ks.β
In a video that has since gone viral, Mthandeni expressed gratitude to the 2Ks, whom he credited with a deep understanding of online culture and social networks. He said, βThank you, 2Ks and late 90s. As for the 80s and 70s, f**k off!β His remarks were aimed at the previous generations, claiming that they hadnβt contributed to his success in the way that the more digitally-savvy younger generation has. Mthandeni added, βThe 2Ks have been a big help because they are more aware of online things and have access to social networks. They research people before making judgements. The 2Ks discovered that Mthandeni is a cool guy. Thank you, 2Ks and late 90s. 80s, forget it. 70s, forget it. You played with me with your maskandi.β
While Mthandeni’s comments were meant to acknowledge the impact of the 2Ks on his career, they have sparked controversy, particularly among older generations of Maskandi fans who feel slighted by his remarks. The backlash on social media has been swift, with many expressing their displeasure at his apparent disregard for the contributions of the 80s and 70s generations to the genre.
Mthandeni’s comments came on the heels of a major milestone in his career. On 31 December 2024, he was awarded Song of the Year on Ukhozi FM for his hit Gucci, featuring amapiano artist MaWhoo. The song garnered over 900,000 votes, cementing Mthandeni’s place in the South African music scene. The win, however, has now been overshadowed by the controversial remarks that have left many fans questioning the artistβs respect for the genre’s legacy.
On 4 January, Mthandeni hosted the Mthandeni Summer Experience in his hometown, a star-studded event that featured performances by artists such as Lwah Ndlunkulu, Sjava, Mzukulu, DJ Tira, and others. Despite the backlash, the event showcased his ongoing popularity and influence in the music industry. Mthandeni’s agent declined to comment on the controversy when approached for a statement, maintaining that they were focused on their work and standing by the artist’s statements.
As the debate rages on, it remains to be seen whether Mthandeni’s remarks will have a lasting impact on his career or if his music will continue to resonate with his loyal fanbase across generations. One thing is certain: his bold opinions have put him at the center of a wider conversation about the evolution of Maskandi and the changing dynamics between artists and their audiences.