Kabza De Small, the celebrated Amapiano DJ and producer, has ignited a wave of controversy with his recent remix of Kulungile Baba, a beloved gospel hit by the late Sfiso Ncwane. The video of Kabza playing the remix at a club went viral after being shared on social media by @TheYanosUpdate, sparking a heated debate among fans. While some hailed the remix as a fresh take on a classic, others expressed deep concern, feeling that the fusion of Amapiano with gospel music undermined the song’s spiritual significance. Kulungile Baba has long been a staple in South African gospel, offering solace and hope, making its remix by a secular artist a sensitive issue for many.
Supporters of Kabza De Smallβs remix argue that his skills as the “King of Amapiano” bring a modern twist to traditional music, breathing new life into the track. They see the remix as a celebration of Ncwaneβs legacy, introducing it to a younger, more club-focused audience. However, critics counter that remixing such a revered gospel song disrespects its original message and emotional depth. For some, the blend of Amapianoβs upbeat, party-centric style with the solemnity of gospel feels like an inappropriate juxtaposition, potentially diluting the song’s intended power and reverence.
This remix controversy highlights the ongoing tension between South Africa’s traditional music genres and the rise of Amapiano, which continues to dominate the local scene. As Amapiano intersects with various styles, including gospel, the debate around authenticity and respect for cultural and spiritual traditions intensifies. While Kabza’s remix has certainly stirred conversation, it also serves as a reminder of the challenges faced by modern artists in navigating the delicate balance between innovation and tradition.